The stunning blues musician Carolyn Gainesproceeds with unforgettable combination of jazzy hooks and hypnotic blues chords in her latest melodic music releases.
Carolyn Gaines has a sneaky virtuosity on both the guitar and the saxophone. Her saxophone-based music is often heavily improvised, and the guitar strike in her most recent songs is almost of a tiptoe. Her singing, too, is euphoric and rejuvenating. Though it might seem that the iconic singer is painting ideas through a traditional keyboard at times, she has a genuine interest in melody and rhythm—you may hear her unexpectedly burst into an outstanding beatbox that sounds more like a jazz drummer recording a scratch track. Latest tracks on her discography such as ‘Beware of My Dog’ and ‘I’m Your Cat, Baby’ feature Big Jay McNeely on Saxhave the smooth touch of jazz riffs induced with rock and roll charms. I’m blown away by how she delivers another full-length album that blends distortion and softness, melody and grit, complexity and reflective delicacy in a beautifully immersive, thought-provoking way.
The famous singer Carolyn Gaines is the daughter of legendary guitarist Roy Gaines who was Diana Ross’ touring guitarist. She has come back with a beautiful album Beware of My Dog that confides the sweet melodies of blues and groovy funks of jazz. ‘Damn Right, I Got the Blues’ sets the tone, with guitars spiraling around you seemingly freestyle, and a gentle rhythm met by an intimate vocal line that lets the singer pour her heart and longing into the process.The percussion and guitars on the new song ‘The Thrill Is Gone’ sound brilliantly nostalgic, often nodding to rock and roots blues in a raw, unfiltered manner. Follow the amazing blues singer on Spotify and Instagram for her new Country Blues CD coming out soon.
Please visit here to listen the songs of Carolyn Gaines :
https://open.spotify.com/artist/5RGjT0RJRihv1fKwE4Z3C7
Hughes Nelson is a contributing writer for Daily Music Roll. He also runs few other blogs, where he analyzes pop, hip-hop, and other music too seriously. Hughes reviews the music on daily basis and magnanimously indulges, encourages, and even participates in music discussion worldwide.
